Mamoudou Gassama went famous for saving a child by climbing four floors of a building in Paris. Moha Gerehou analyzes how the viralization of the story and the consequences it had feeded racist stereotypes.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
This is one of the video recipes produced after the publication of the Recipe book. It is a short video animation showing how Displaced in Media methodologies were tested in the different contexts of the project partners.
We try to understand how the changes have been produced in the last few years in La Alameda de Hércules have modified the way it's enjoyed by the citizens in Seville.
Videoremix which, through a series of images and archive stories, tries to recollect the personal vision of the author about The Sevillian Holy Week and its projection by the local media, with its particular vision about “the poetic” of this cultural manifestation.
La Matraka is a cultural affairs production company where these three young Andalusian can produce their projects, and lean other projects about cultural and social matters. This is an interview with responsibles that made this possible.
This videocreation shows the importance these or those characters have through the sound of the camera's shutters, thus manipulating the information we get.
Videowork which discuss about the poetic image projected by the media about the origin of life using different kinds of found footage, from some News to The Truman Show images.
Plataforma Placa is an international collective between Andalucía and Mexico to get in touch filmmakers from those places. They can exchange some works and experiences through.
A fast mix of images apparently unrelated which tries to show some of the ideas the author wanted to communicate to his uncle, a very deep involved in Spanish culture person.